Thursday, March 26, 2020

You're Invited! FASHION IN FILM OF TCMFF 2020 Special Home Edition April 15


Wednesday, April 15, 2020
FASHION IN FILM OF TCMFF 2020 - Special Home Edition

Guest speaker
Online via Zoom webinar
4 pm - 5:30 pm PT (7 pm - 8:30 pm ET)

Tickets are $5 - click here to register through Zoom

Since this year's TCM Classic Film Festival (TCMFF) is now a "Special Home Edition" - or the "Stay the heck at home celebration," according to TCM host Ben Mankiewicz - I thought it was important to offer the same for my own annual event. And so, on Wednesday, April 15, I invite you all to join me in a webinar version of Fashion in Film of TCMFF 2020.

The presentation will feature 11 films - 5 from the festival's on air programming, and 6 more from festivals past. As always, you will enjoy beautiful movie stills and images from today's fashion accompanied by a conversation about film history, costume and fashion designers, and backstories of the stars.

Most know that costume design is often integral to plot lines and always helps establish character. In addition, many of the leading ladies were close with their costume designers, so you can get great insights into their lives and see the evolution of their style. You'll also discover how these costumes continue to influence fashion today.


This year's presentation will include:


Red-Headed Woman (1932)

Shanghai Express (1932)
Baby Face (1933)
Holiday (1938)
The Philadelphia Story (1940)
The Lady Eve (1941)
Casablanca (1942)
A Foreign Affair (1948)
Gentlemen Prefer Blondes (1953)
Some Like It Hot (1959)
Network (1976)

Though we won't be together at the Roosevelt Hotel, our lovely family can still come together online and celebrate the films we love so much!


**This event is not officially affiliated with the TCM Classic Film Festival


With good friends at the 2016 TCM Classic Film Festival

Wednesday, January 29, 2020

FILM NOIR STYLE: THE KILLER 1940s On Sale October 2020


I'm very excited to share the working cover of my book Film Noir Style: The Killer 1940s

Film Noir Style is a deep dive into the dark side of 1940s style - celebrating some of the genre's most influential films and stars while also examining the historical context of the time. As the cover shows - in a couple ways - The Killers (1946) is one of the 20 films featured in this beautiful coffee table book. Film Noir Style will be on shelves October 2020, which perfectly coordinates with Fall fashion collections that so frequently reference noir. It's also just in time for the holidays.

Many thanks to my editors at GoodKnight Books, a publishing house run by the talented Mary Rothhaar, who have been so supportive of this project. I'm very proud to be an author for a company that's run by a woman and one that also makes it a priority to print in the United States. You can see some of their other great Hollywood titles below.

I have just submitted all the copy for the book and we're now selecting the many stunning photos that will be featured in Film Noir Style. I can't wait to share with you all!

Monday, December 16, 2019

GlamAmor-ous Holidays - Classic Style of 1947's IT HAPPENED ON FIFTH AVENUE


Happy holidays! I realize I have been a bit quiet online because of my Pre-Code screening series The Style of Sin and working on my book Film Noir Style: The Killer 1940s. The book will be on sale Fall 2020 and I'm very excited about it. Because copy is due by the end of the year, I've been buried in research and feverishly typing away. But I wanted to celebrate this special time of year, so I've gone into the GlamAmor Archive and pulled one of my favorite holiday films It Happened on Fifth Avenue (1947). I hope you enjoy my look at its classic style.

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Every year at this time I enjoy looking at style in movies that celebrate the holidays. In the past, this has included The Thin Man (1934), The Man Who Came to Dinner (1942), and White Christmas (1954). Anyone who knows me knows how much I love film noir, so I have also looked at 1947's Lady in the Lake. This Christmas I have chosen to cover a holiday film that I've come to know and love in the past few years - 1947's It Happened on Fifth Avenue.

It Happened on Fifth Avenue is centered on a homeless man named Aloysius T. McKeever (Victor Moore) who takes over a vacant mansion in New York each winter. This Christmas he helps Army veteran Jim Bullock (Don DeFore) and his friends who struggle with their own housing. What makes the movie such fun is that - unbeknownst to anyone - the actual owners of the mansion become part of the ragtag group that now inhabits the house. Some of the charm of the story stems from watching this wealthy family evolve through the experience. For a lesser known picture, these characters are played by an incredible cast and are well known to classic film fans. The movie is led by Moore, who many love in the Fred Astaire-Ginger Rogers musical Swing Time. The affluent O'Connor family (who pose as anything but) is made up of Charlie Ruggles, Ann Harding, and Gale Storm. And other character actors include the always good Alan Hale, Jr., Grant Mitchell, and Edward Brophy.

This period of time is one of my favorites for film - the reason being that it is right after World War II. I love movies that look at these post-war years and the challenges that servicemen faced when returning to America. William Wyler's The Best Years of Our Lives probably did this best of all. It Happened on Fifth Avenue's own storyline starts with Bullock being kicked out of an apartment and then welcomed into McKeever's creative housing solution. Several of Bullock's war buddies soon enter the picture with their families - all with housing challenges of their own.

The post-World War II storyline extends to the costumes as well. For those who don't know, much of 1940s style came as the result of rationing that happened during the war. This is the reason for the functional and rather austere feel of much of the era's clothing. You simply weren't allowed to use a great deal of fabric. The length and circumference of skirts, for instance, were dictated by a government regulation. Though It Happened on Fifth Avenue was made after rationing had ended, styles had not changed that much. That seismic shift came in February 1947 courtesy of Christian Dior and his "New Look," a collection that featured longer fuller skirts and ushered in the over-the-top femininity of the 1950s. It Happened on Fifth Avenue premiered in April of that year, but was in production well before that date and its costumes still reflect much of World War II style.


This leads to one of the reasons I wanted to share It Happened on Fifth Avenue - its costume designer Lorraine MacLean. Clearly she is not as well known as someone like Edith Head, and it's important to remember that the Hollywood studio system was filled with many unsung heroes such as herself. Lorraine is interesting because she started her career as an actress, similar to costume designers Irene and Orry-Kelly. She actually went further as an actress than those two and appeared in movies like Love Shy (1928) and Fools for Scandal (1938) with Carole Lombard. After her time on screen, Lorraine moved behind the camera to the makeup department and then onto costume design. She eventually became the studio stylist for Monogram Pictures and Allied Artists. It Happened on Fifth Avenue was the first production from Allied Artists, the unit that Monogram built for bigger and better productions from the "Poverty Row" studio. You'll see that Lorraine stepped up to the challenge with her costume design. Gale Storm's wardrobe, in particular, is filled with plenty of winter coat inspiration - including fabulous Willard George furs - and classic pieces that would still be stylish today.

It Happened on Fifth Avenue is such a perfect holiday movie. It has lovely messages about family - both those that are blood-related and those people we choose to be in our lives. It also has great inspiration about entrepreneurship and designing your own destiny. Of course it also has plenty of romance and a sweet fairy tale feel to the movie that just makes you feel good. It's become a classic that I must see every holiday and hope you enjoy it, too. Merry Christmas!


Home sweet home -
the O'Connor mansion is the winter residence of Aloysius T. McKeever (Victor Moore)



Jim Bullock (Don DeFore) and McKeever 
catch late night prowler Trudy O'Connor (Gale Storm) "stealing" a fur coat and more



Bullock takes back what Trudy has been "stealing"



Trudy overhears why these two strangers are in her home and plays along
as they allow her to stay while she's "down on her luck"



Trudy gets a job at a music store



We see that Trudy is already falling for Bullock



I love this coat of Trudy's with a hood attached that continues the front plaid trim



Bullock's war buddies - and their families - are also allowed join the McKeever household



Trudy wants to see if this nearly strapless gown will turn Bullock's head


I say nearly strapless because the vine-like "strap" is more decorative than functional



Looks like Trudy may have accomplished her mission



Love Trudy's fur-trimmed wrap coat with coordinated fur hat
that she wears when she bumps into her father Michael J. O'Connor (Charles Ruggles)



This leopard coat and hat is another great ensemble from Trudy's wardrobe



A "chance" meeting in Central Park with down-on-his-luck "Mike"


Mike is invited to join all the others and
sees the transformation of the O'Connor mansion



Costume designers put just as much care into robes as they did in coats or gowns -
you can see the careful construction in the shoulders and embroidery in this robe



Trudy pays a visit to her mother Mary O'Connor (Ann Harding)
who is currently separated from her father



Here's a great example of costume establishing a character -
Mary simply exudes wealth and style with her dress, fur coat, hat, and jewelry


Trudy in yet another great coordinated ensemble - double-breasted coat, hat, and gloves -
as she plots to bring Mary into the McKeever household to meet new love Bullock



Mary joins the household - dressed to appear down on her luck as well -
and becomes the cook much to Mike's chagrin



Bullock play referee between Mike and Mary,
not realizing that they're Trudy's separated parents



Christmas comes to the McKeever household



Bullock has fallen for Trudy and vows to prove himself



Trudy's holiday dress would still be perfect today




Bullock gives Trudy a coat for Christmas so she doesn't have to "borrow" any more -
it's more special to her than all of her furs




The last dinner of this extended family
with toasts for the future of the two happy couples and Aloysius McKeever


Merry Christmas!

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